In recent times, artistic expression and the engagement with art has become increasingly marginalized, considered by many to be an effete and elitist activity. But we’ve made a mistake—we’ve confused what civilization is with what civilization allows us to have. Civilization isn’t roads, bridges, buildings, stock markets, governments, and businesses; civilization is a basic agreement and shared set of values that allow us to have these things. And art is the most indestructible way of asserting and changing these values and agreements. When all else fails us, it is still there. A society that dismisses this central act, that relegates the genuine work it does until it appears alongside the antics of celebrities, it does so at its peril.
If a stranger were to walk up to us on the street and tell us they loved us, few, if any, of us would immediately return that love. But if the same person were to tell us they hated us, more often than not that hate would be returned in full force. Why is that, and what does it do to us when we begin to hate groups of people because they hated us first?
Having taught fiction writing at a graduate level for ten years, I believe there are a few very basic techniques and ways of approaching the writing of fiction that can be taught in an afternoon. Most of them (for example, how to move between a third-person narrator and the inside of a character’s head) are things writers understand subconsciously, but why not understand the technical aspects of them consciously?
The old trope “write what you know” is alive and well. But what if you want to write about something that you have no personal experience with or biographical connection to? How do you go about doing that in an accurate and respectful manner?
This website is a resource for event professionals and strives to provide the most comprehensive catalog of thought leaders and industry experts to consider for speaking engagements. A listing or profile on this website does not imply an agency affiliation or endorsement by the talent.
All American Entertainment (AAE) exclusively represents the interests of talent buyers, and does not claim to be the agency or management for any speaker or artist on this site. AAE is a talent booking agency for paid events only. We do not handle requests for donation of time or media requests for interviews, and cannot provide celebrity contact information.
If you are the talent and wish to request a profile update or removal from our online directory, please submit a profile request form.
In recent times, artistic expression and the engagement with art has become increasingly marginalized, considered by many to be an effete and elitist activity. But we’ve made a mistake—we’ve confused what civilization is with what civilization allows us to have. Civilization isn’t roads, bridges, buildings, stock markets, governments, and businesses; civilization is a basic agreement and shared set of values that allow us to have these things. And art is the most indestructible way of asserting and changing these values and agreements. When all else fails us, it is still there. A society that dismisses this central act, that relegates the genuine work it does until it appears alongside the antics of celebrities, it does so at its peril.
If a stranger were to walk up to us on the street and tell us they loved us, few, if any, of us would immediately return that love. But if the same person were to tell us they hated us, more often than not that hate would be returned in full force. Why is that, and what does it do to us when we begin to hate groups of people because they hated us first?
Having taught fiction writing at a graduate level for ten years, I believe there are a few very basic techniques and ways of approaching the writing of fiction that can be taught in an afternoon. Most of them (for example, how to move between a third-person narrator and the inside of a character’s head) are things writers understand subconsciously, but why not understand the technical aspects of them consciously?
The old trope “write what you know” is alive and well. But what if you want to write about something that you have no personal experience with or biographical connection to? How do you go about doing that in an accurate and respectful manner?
Steven Galloway is a keynote speaker and industry expert who speaks on a wide range of topics such as The Role of Art in Civilization, The Abdication of Hatred, MFA in a Day Workshop, Writing What You Don’t Know Workshop and The Cellist of Sarajevo. The estimated speaking fee range to book Steven Galloway for your event is available upon request. Steven Galloway generally travels from VancouverCanada and can be booked for (private) corporate events, personal appearances, keynote speeches, or other performances. Similar motivational celebrity speakers are Adam Johnson, Max Brooks, Rolf Potts, Ian McEwan and William Gibson. Contact All American Speakers for ratings, reviews, videos and information on scheduling Steven Galloway for an upcoming live or virtual event.
In recent times, artistic expression and the engagement with art has become increasingly marginalized, considered by many to be an effete and elitist activity. But we’ve made a mistake—we’ve confused what civilization is with what civilization allows us to have. Civilization isn’t roads, bridges, buildings, stock markets, governments, and businesses; civilization is a basic agreement and shared set of values that allow us to have these things. And art is the most indestructible way of asserting and changing these values and agreements. When all else fails us, it is still there. A society that dismisses this central act, that relegates the genuine work it does until it appears alongside the antics of celebrities, it does so at its peril.
If a stranger were to walk up to us on the street and tell us they loved us, few, if any, of us would immediately return that love. But if the same person were to tell us they hated us, more often than not that hate would be returned in full force. Why is that, and what does it do to us when we begin to hate groups of people because they hated us first?
Having taught fiction writing at a graduate level for ten years, I believe there are a few very basic techniques and ways of approaching the writing of fiction that can be taught in an afternoon. Most of them (for example, how to move between a third-person narrator and the inside of a character’s head) are things writers understand subconsciously, but why not understand the technical aspects of them consciously?
The old trope “write what you know” is alive and well. But what if you want to write about something that you have no personal experience with or biographical connection to? How do you go about doing that in an accurate and respectful manner?
This website is a resource for event professionals and strives to provide the most comprehensive catalog of thought leaders and industry experts to consider for speaking engagements. A listing or profile on this website does not imply an agency affiliation or endorsement by the talent.
All American Entertainment (AAE) exclusively represents the interests of talent buyers, and does not claim to be the agency or management for any speaker or artist on this site. AAE is a talent booking agency for paid events only. We do not handle requests for donation of time or media requests for interviews, and cannot provide celebrity contact information.
If you are the talent and wish to request a profile update or removal from our online directory, please submit a profile request form.