Wesley Morris

Wesley Morris serves as critic at large for The New York Times, where his writing on pop culture, race, and their intersections has established him as a leading voice in cultural criticism. Known for his ability to analyze films, media, and societal trends, Morris bridges the gap between art-house cinema and mainstream blockbusters, making complex ideas accessible for broad audiences. His work at The New York Times includes hosting the podcast "Cannonball" and previously co-hosting "Still Processing" with J Wortham, platforms where he demonstrates expertise through analysis and discussion.

Morris's career includes roles at the Boston Globe, where his film criticism earned him a Pulitzer Prize for its style and cultural scope, and at Grantland, as a staff writer and cohost of "Do You Like Prince Movies?," highlighting his versatility across sports, pop culture, and commentary. He later joined The New York Times, earning a second Pulitzer Prize for Criticism—making him the only writer to win the award twice—for his coverage of race relations in America, including examinations of civilian cellphone videos, Hollywood's racial narratives, and the evolution of romantic comedies. These achievements reflect his skill in contextualizing cultural phenomena and his expertise in media's societal impact.

Morris also contributes to The New York Times Magazine as a staff writer, continuing to analyze and contextualize cultural artifacts in ways that resonate with readers and listeners. His public commentary addresses challenges such as Hollywood's focus on racial reconciliation narratives, demonstrating his ability to tackle complex topics with nuance and authority. Morris is recognized for his analytical depth and his contributions to discussions about the forces shaping contemporary culture.