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Martín Espada Speaker Agent

Martín Espada

Booking Fee Range :
Live Event: $10,000 - $20,000  About Fees
Virtual Event: $5,000 - $10,000
Travels From : Franklin County, MA, USA

Martín Espada Biography

Martín Espada is recognized for his contributions as a socially engaged poet, author, editor, essayist, and translator. Espada has published more than 20 books, building a body of work noted for its political engagement and humanistic perspective. A former tenant lawyer in the Greater Boston area's Latino community, Espada brings advocacy and moral urgency to his poetry, reflecting his commitment to social justice and Latino literature.

Espada's first poetry collection, "The Immigrant Iceboy's Bolero," featured photographs by his father. His subsequent books, including "Trumpets from the Island of Their Eviction," "Rebellion Is the Circle of a Lover's Hands," and "City of Coughing and Dead Radiators," have received critical attention. "Rebellion Is the Circle of a Lover's Hands" won the PEN/Revson Award and the Paterson Poetry Prize, while "Imagine the Angels of Bread" received an American Book Award and was a finalist for the National Book Critics Circle Award.

His published works also include "A Mayan Astronomer in Hell's Kitchen," "Alabanza: New and Selected Poems, 1982–2002," "The Republic of Poetry," "The Trouble Ball," "Vivas to Those Who Have Failed," and "Floaters," which won the National Book Award for Poetry. The collection "Alabanza" earned the Paterson Award for Sustained Literary Achievement and was named an American Library Association Notable Book of the Year; its title poem, addressing the events of 9/11, has been widely anthologized and performed. "The Republic of Poetry" was a finalist for the Pulitzer Prize. Espada's collection "Jailbreak of Sparrows" was published by Alfred A. Knopf. He has also edited anthologies such as "El Coro: A Chorus of Latino and Latina Poetry," "Poetry Like Bread: Poets of the Political Imagination," and "His Hands Were Gentle: Selected Lyrics of Víctor Jara." His essay collection, "Zapata's Disciple," was banned in Tucson as part of the Mexican-American Studies Program.

Espada received the Ruth Lilly Poetry Prize from the Poetry Foundation, becoming the first Latino recipient of the honor. His additional recognitions include a Guggenheim Fellowship, a Gustavus Myers Outstanding Book Award, an Independent Publisher Book Award, two National Endowment for the Arts Fellowships, the Shelley Memorial Award from the Poetry Society of America, and the Academy of American Poets Fellowship. Espada also appeared in "The People Speak," a documentary based on Howard Zinn's "A People's History of the United States."

Espada's poetry often addresses issues affecting socially, economically, and racially marginalized individuals, using narrative to highlight themes of social justice, Latino identity, and political activism. He has spoken widely about poetry as a persuasive force that stirs emotions, awakens the senses, and conveys transformative ideas. Espada is a professor of English at the University of Massachusetts Amherst, where he continues to influence the fields of poetry, literature, and social advocacy. His work demonstrates the enduring power of verse to bear witness, challenge injustice, and give voice to marginalized communities.

All American Speakers Bureau is a full-service talent booking agency providing information on booking Martín Espada for speaking engagements, personal appearances and corporate events. Contact an All American Speakers Bureau booking agent for more information on Martín Espada speaking fees, availability, speech topics and cost to hire for your next live or virtual event.

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Please Note: All American Speakers Bureau is a full-service talent booking agency providing information on booking Martín Espada for speaking engagements, personal appearances and corporate events. Contact an All American Speakers Bureau booking agent for more information on Martín Espada speaking fees, availability, speech topics and cost to hire for your next live or virtual event.

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